LES APPORTS D’ARCHIFLIX

IMAGES ANALOGIQUES DE CODES NUMÉRIQUES VISUELS
SUR PELLICULE

SOURCE NUMÉRIQUE INTÉGRALE
(« CODE VISUEL »)

code_visuel

Une technologie WORM (Write Once, Read Many)

Augmentée d’un véritable mode « STORE AND FORGET »

Le plus ARCHIFLIX :
Standard ouvert, 
simple à la relecture

Relecture authentifiée assurée à tout moment grâce à une technologie standard et durable

ARCHIFLIX PROTÈGE
ET PRÉSERVE À LONG TERME
VOS DONNÉES DE GRANDE VALEUR

LE STOCKAGE DURABLE ARCHIFLIX ET LA LOI SUR LE SECRET DES AFFAIRES

DANS LE CYCLE DE VIE D’UNE « DONNÉE PATRIMONIALE »
AU REGARD DE LA LOI SUR LE SECRET DES AFFAIRES,
LA CONSERVATION PATRIMONIALE EST LE MAILLON CLÉ TRAITÉ PAR

Image16

sécurité naturelle

Est une sécurité naturelle simple supplémentaire à la conservation de données sur serveurs

Image17

restitution rapide

Permet de récupérer en moins de 72 heures ces données sur fichier magnétique à tout moment

Image18

Préservation étendue

Durée très longue : 
50, 100 ans, voire davantage

 

What role could Digifilm play in securing
our digital heritage for future generations?

In this episode of Tech Talks Daily, recorded at the IT Press Tour in Malta, I am joined by Antoine Simkin, co-founder of Digi Film Corporation.

Antoine Simkine is also the lead producer and managing director of the Paris-based Les Films d’Antoine, which was founded in 2004. He was also the executive producer of the VFX of about one hundred feature films such as “The City of Lost Children”, “Amelie”, “Alien Resurrection” by Jean-Pierre Jeunet, “The Ninth Gate” by Roman Polanski, “Ronin” by John Frankenheimer, “Joan of Arc” by Luc Besson, and “The Man Who Cried” by Sally Potter.

Antoine Simkine then worked for 20th Century Fox as a VFX producer during the final phase of the development of “I Robot” by Alex Proyas.

With a unique background in cinema and digital visual effects, Antoine brings a fascinating perspective on the challenges and solutions for long-term data preservation in our rapidly evolving digital age.

Antoine shares his journey from pioneering digital visual effects in the 1980s and 90s to tackling one of the industry’s most pressing issues: the longevity of digital data. Reflecting on his experience working with formats like Sony DIR and DTF tapes, he highlights the challenges of data migration, evolving standards, and the risks of losing critical digital assets. His work with Digifilm Corporation introduces an innovative approach to solving these problems by blending the permanence of film with the precision of digital encoding.

We explore how Digifilm’s Archifix solution offers a robust alternative to traditional storage methods, ensuring data preservation for decades, if not centuries. Antoine provides insight into the diverse applications of this technology, from the cinematic world to industries such as nuclear power, defense, and architecture, where the need for secure, offline data storage is paramount.

As data volumes grow exponentially and regulations around data integrity and security tighten, Antoine’s vision for the future of Digifilm highlights the critical importance of balancing technological advancements with sustainable, long-term preservation strategies. Could this approach be the missing piece in solving the global data storage puzzle? 

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